Brant Gardner calls this interaction with the future reader Mormon’s “author-voice,” as opposed to the “narrator-voice,” which he uses when “writing about the past.” 3 In this paper, I am magnifying Gardner’s concept of the “author-voice” to distinguish between two similar but distinct voices: a personalized and a personal voice. He personalizes his messages - enters into the text as a person - for the reader through the use of the first person pronoun (“I” and “we”) 2 and his own name to punctuate key theological points for the reader. In contrast to the Bible, which “exhibits such a rage for impersonality as must lead to the conclusion that its writers actively sought the cover of anonymity,” 1 Mormon, like the other Book of Mormon narrators, has a different approach. Remarkably, our attention on the authors doesn’t distract us from Christ but actually proffers the unique view of Christ as can only be seen through a personal lens. Mormon’s use of personalizing and personal messages lends emotive power to his narratives and shines a light on Mormon’s love for Christ’s church.Īs “Another Testament of Jesus Christ,” the narratives of the Book of Mormon of course focus on Christ however, the strategies its authors use to direct our attention to Christ also shed light on these authors. Mormon discreetly plants evidence to suggest his intention for the careful re-reader to discover that Mormon was a 12th generation descendant of the first Alma. In these narratives, Mormon seems to simultaneously present an overt personalized message about Christ and a covert personal connection to Alma 1 through the almost excessive repetition of his own name. Abstract: The present work analyzes the narrative art Mormon employs, specifically Mormon’s unique strategies for personalized and personal messaging, which can be seen in how Mormon connects the narration of the baptism at the waters of Mormon in Mosiah chapter 18 with his self- introductory material in 3 Nephi chapter 5. Complexities in the English Language of the Book of Mormon - 2015.
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